Olaolu Akeredolu-Ale, the Nigerian visual artist known globally as Slawn, has inked a new chapter in motorsport history. His vibrant imagery will soon grace the body of a Formula 1 race car, marking the first time an African artist’s work features on such a vehicle.
The collaboration, unveiled ahead of this season’s Grand Prix events, places Slawn’s dynamic and expressive style centre stage. His signature blend of bold colours and asymmetrical shapes will wrap the car’s chassis, turning it into a rolling canvas on the world’s fastest circuits.
For Slawn, the opportunity represents more than personal triumph. “To see my art on a Formula 1 car feels like my country is driving on the global stage,” he said. “This is a moment where African creativity crosses speed barriers.”
The artwork reflects the spirit of movement and energy, both inherent in Slawn’s aesthetic and synonymous with Formula 1. Across social media and motorsport platforms, fans have welcomed the fusion of culture and speed. Many praised the team for breaking convention by amplifying African talent on an international platform.
Industry insiders believe this partnership signals a broader shift in the sport. By showcasing original art without relegation to “special edition” status, Formula 1 reveals an eagerness to embrace fresh cultural narratives, diversifying the visual language of racing worldwide.
Slawn’s work, which often centres on themes of identity and dynamism, finds a new medium on asphalt. His finger-shaped motifs, usually seen on gallery walls, will now thrill audiences at over 300 km/h. Many see this as a breakthrough moment not just for one artist, but for an entire continent’s creative potential.
As the car hits the track, Slawn’s piece will serve as both paint and podium, drawing attention to how art and sport can elevate each other.
For Nigeria and Africa, it is a moment of pride. For Slawn, it is confirmation that boundaries, be they cultural, geographical, or stylistic, can indeed be redrawn.
